Tuesday, April 27, 2010

RACIST ARIZONA

Here’s an eye-opener for those of you who may be fence-sitters, or misinformed, about Arizona’s anti-immigration law, SB 1070. The individuals who drafted and introduced this heinous Nazi legislation present the profile of the most despicable racists (not proto-racists or bigots) populating the dark, filthy underbelly of this country. Russell Pearce, who introduced the bill, is a declared Holocaust denier and palled around with a neo-Nazi. Chris Kobach, who authored the bill, is a Birther linked to the hideously anti-American organization with the oh-so benign acronym “FAIR” (Federation for American Immigration Reform).

Founded by opthalmologist (M.D.) John Tanton in 1979, FAIR traces his racist ideology to Nazi eugenics monsters like Dr. Joseph Mengele. FAIR has received more than $1 million in contributions from a group called the Pioneer Fund that was formed “in the Darwinian-Galtonian evolutionary tradition and the eugenics movement” to fund research that shows the “superiority” of white people and promotes genes of people “deemed to be descended predominantly from white persons who settled in the original thirteen states prior to the adoption of the Constitution.”

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Tanton frames the immigration issue in survivalist terms for whites: “to govern is to populate … Will the present majority peaceably hand over its political power to a group that is simply more fertile? … As whites see their power and control over their lives declining, will they simply go quietly into the night? Or will there be an explosion?”

Decades before Oliver Stone’s “JFK,” an obscure gem of a film about President Kennedy’s assassination opened in 1973 to substantial controversy. “Executive Action” was told entirely from the conspirators’ perspective, postulating a military-industrial complex conspiracy by transnational capitalist tycoons with ties to black ops CIA operatives. “Executive action” is a term used by the CIA at the time. The amoral, unemotional tone of the narrative enhances the chilling impact of the film. In his last role as a Texas oil baron (lead conspirator Robert Foster), Robert Ryan delivers a sinister monologue, one whose words seem lifted straight out of Tanton’s sick writings: “I’ve come to the point of view that for European-American society and culture to persist requires a European-American majority and a clear one at that.”



Needless to say, Foster’s insane racist nightmare never came to pass, but Vietnam cost the lives of 58,000 Americans. The film is a cautionary tale of speculative nonfiction about the tragic consequences of extremist ideology driving government policy.

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